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Announcements, interviews and stories from our team and community writers.

Unpaid opportunities aren't all equal. Here's a rough filter.

The biggest audience most children's films will ever have isn't the festival crowd - it's a classroom.

Whether it is a living room or a gym, a good screening comes down to a few simple preparations.

Films can bring up sadness, worry or joy. Here are warm, everyday ways for adults to help children sit with those feelings.

Age ratings are a starting point, not the whole answer.

Young viewers need stories that reflect their lives and stories that open doors to others. Here is how to make the most of both.

The fastest way to teach a kid to watch critically is to have them make something first.

Folding Indigenous work into a general program tends to flatten exactly what makes it distinct.

Viewers forgive soft focus long before they forgive muddy dialogue.

Three things that show up again and again in strong Indigenous youth submissions.

Subtitles, repeat viewings and a bit of play can turn movie night into gentle language practice.

Good light is mostly about where you put the actor, not what you spend.